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Arturo Aranda reads

Here’s a beautiful story by eco-village’s resident poet/playwright Arturo Aranda. Arturo read it at the recent Dia de los Muertos Maybe Fridays reading. It’s a great story, and even better when he reads it in person. Enjoy.

The Blood and The Marigold
By Arturo Aranda Lopez

for my dad

Ramon dijo, ‘Ojala que llueva gasolina…
Por tres dias.
Y luego, que caiga una tormenta
De puros rayos…
Y que nomas se oiga la gritadera.’

…..

The day my pop’s papa died a whirlwind tore down the old man’s street.  A little girl with obsidian eyes, awoke from her sleep in her mother’s arms, she smiled and said to her mother in her ear, “Mami, ya llego.”  “Quien, mija?” asked her mama.  “Ya llego el angel”, said the little girl with the most beautiful eyes in the mourning room.  Her eyelids were still wet and heavy from the ocean in her dreams.  It was Satan coming to pay his respects.  Maybe he owed the old man some money, yeah that was probably it.  He was always making bets with the angel.  He probably won a few.  Satan showed up in a little tornado.  Where the old man is from they call the little cyclones Diablitos.  Satan showed up in a spin blasting dust and pebbles into the sun baked faces of mourners gathered round the old man’s big, black, metal front door gaping open for the sleepy townsfolk to come visit their dead neighbor.  The don of their town.

The gorgeous angel stood at the old man’s door in a long black coat.   His coat was thick, long, and heavy like an animal’s hide.  It shined in our star’s glare.  He wiped the dust off his black leather shoes and smiled at the hot swamp of human tears bubbling around the wooden box.   His eyes were obsidian like the shards you would find scattered all over the hills of the little town, ancient lava rocks from the earth’s belly.  His silver hair was braided in many tentacles.  Black beads hung at the end of the braids that shimmered and twinkled, and shimmered and twinkled, like little galaxies.

He stared down the angry sun and did not go blind.  He turned his palms up to the sky.  He prayed, licked his lips, and smiled.  Hidden children would appear from the curtains of the angel’s coat and peak out at the gang of mourners.  They chased each other around between the angel’s legs and laughed.  They would pear at the onlookers, they would whisper to each other and disappear back into the angel’s darkness.  He seemed to have brought two little brats with him that time.

It smelled like it would rain for sure before he showed up, but at the last minute God got the message that the old man had died so she reined in her storm clouds.  She sent some cute little breezes instead.  “I’ll be damned if I’m going to rain on his death party,” God said to herself.

I watched my old man’s old man die, watched him pull on his last gulps of earthbound air, watched his face sink in and out in his toothless skull as he snatched his last gasps.  The nurse had his teeth in a little bowl of water at his bedside table.  I felt the last little beat of his heart on his wrist.  I searched for life in his neck with three fingers when his chest fell for the last time.  I warmed up his heart with my right hand, readied it for takeoff.  My dad’s brother, almost his twin, took the old man’s teeth from the bowl and put them in his mouth before his jaw would become too stiff to open, so he would look nice, so he would look like himself.  As soon as the death silence that follows us all settled in I turned to my dad.  I just now realize that he asked me with eyes, is he gone?  He knew.  For a moment he wanted it to not be, but it was so.  He smiled back his wails.  He chewed on his cries.  I gave him a hug.  Let’s not think of the inevitable huh?  Not right now.  I pulled some latex onto my hands and helped the nurse handle the man’s body.  Some of my body came from this warm, dead body turning hot due to a fever that attacked him before he passed.  We wrapped him up like one of them ancient Egyptian rulers.  Long, white, and a belly in the center.  We didn’t drain his blood and fill him with chemicals and other things, someone else did that, somewhere else, when he was not in our protection in our home.  We placed something called a rosary on his chest.  It was crystal and wouldn’t quite stay in place, wouldn’t quite stay centered on his chest.  The holy thing lay there sort of crooked and out of place on his body.

Three days before the old man died he called for the priest.  The say people know when they’re going to die. The holy man of the town was summoned, a man that the old man probably put at the altar to forgive the people of the township and promise them things, like everlasting life and things of the sort.  The fat, blockheaded cleric was brought to the old man’s bed.  The old man wanted a ceremony, or a ritual, or something.  The old man was not looking for any type of rights or forgiveness from the cleric.  The old man wanted ritual from the cleric and nothing more.  He wanted it for the eyes of his loved ones that surrounded him, the ones that were going to miss him when he was gone.  The cleric in his robe and block head said some words, he read from the book, he put on a sad face and spoke in a tone.  The old man said, “Mira nomas la cabezota!”  The priest asked, “Que dijo?”  He heard.  He heard perfectly clear.  The cleric gave the old man a wafer for his soul and as it rested on his lips the old man told us all to go to hell.  “Chingen a su madre!” said the old man.  The old man was special.

Once, a few moments of who knows how long before the old man died, he waged my soul in a card game with my cousins.  Poker was the game, with peanuts, not money, that’s tacky.  The old man called to Satan!  He offered my soul to Lucifer for a seven!  The soul of his first grandchild!  He dealt the card!  It was not a seven.  I won.

The old man taught me how a real man walks this earth.  How a man greets and smiles as he moves through space.  This isn’t some macho bullshit. Do you know how to walk?  Like a woman?  Like a man?  This is believing in things.  Right now that’s our problem, humans. We think the problem is that we believe in too many things.  No, it’s that we don’t believe.

So now I had to walk through the swamp of tears.  I remembered my lessons from the old man and allowed myself to become lost in the jungle of mourners, never quite finding the right place to sit or the right way to be.  Me, his first grandchild.  Well, technically, his second.  My dad’s brother had a little girl before I was born.  I’ve met her.  She’s beautiful.  She has the old man’s eyes.  I wonder if she knows.  Her name is Rosalba.  But, sadly we won’t speak of her now.  I guess I represented his grandkids.  Some said I was lucky to be there.  I guess.  I don’t know yet.  I don’t know if I wanted to see that, but I did, so…I walk without sinking in the swamp of sadness.  Just like my temper I can sit on my sadness.  Eyes everywhere saying, I accompany your family in your sadness.  I would think to them, You accompany us in shit! But, I can see in your gaze that you loved him so I believe you! Even if in actuality you’re happy he’s gone your eyes say that you loved him in spite of you, so I believe you!  Thanks for coming!  Thanks for showing up!  Bring flowers! Bring sweet bread!  Bring cinnamon!

Bring coffee! Bring all the tequila!  Bring the whole damn field!  Bring lemon grass!  Please bring hugs! Bring your kids!  Bring everyone!  Everyone!

I knew the angel was coming.  He was late.  Not Death!  Fuck that fool!

You say you’re my uncle.  I guess.  If you say so.  You ask me if I remember you.  I say of course I do, but I don’t.  Now we hug.  You say you’re my aunt.  I guess.  If you say so.  You ask if I remember you.  I say of course I do, but I don’t.  Now we hug.  You say you’re my cousin.  I guess.  If you say so.  You ask if I remember you.  I say of course I do, but I don’t.  Now we hug.  You say you’re a friend.  I guess.  If you say so.  You ask if I remember you.  I say of course I do, but I don’t.  Now we hug.  My cousins and I would constantly ask each other, Who is that?  I don’t fucking know! Mourners would ask us, Who’s are you?  Oh!  Who’s are you?  Oh!  Ok. After every hug from some stranger I would moan to myself, Can I go now?  Where’s my dad?

The gorgeous angel watched the mourners and shook his head.  “Y la musica?” he asked.  No one answered.  “Queria musica” he said.  The angel spoke in the old man’s voice.  My grandfather’s voice came from the angel’s throat.  “En este cuarto no quiero nada te tristesas.  Cuando arranque carrera quiero dos horas de mariachi.”  No one answered.  “Y el mariachi?” asked the angel.  A child reached out from the angel’s coat.  One small, pale, chubby arm beckoned, and a little voice reminded “Monchito queria musica, hermanos.  Porque este silencio en su cuartito?”  Another little voice from inside the angel cried, “Donde esta el mariachi?  Una tambora!  Quiere una tambora!  Como su vida!  Pun!  Pun!  Pun!  Pun!  Pun!”

In this town they still take their dead to the temple.  There the family gang of wailers stood before an altar.  Loved ones took turns standing at the wings of the wooden box accompanying it to heaven.  The blockheaded cleric stood before us.  He read from the book.  He made gestures with his hands.  He put on a sad face.  He spoke in a tone.  He fumbled with the microphone attached to his face.  The angel took his turn at the box.  He found it horribly difficult to hold back the hellish wrath that painted its portrait on his faith.  What did this holy man babbling before us with his voice echoing and bouncing off the walls know of community?  Of love?  Of family?  The angel was proud of the old man in the box.  What did the holy fat man know of him?  His fat kind were a joke to the old man!  The angel remembered the holy fat man ridiculing the old man’s grandson at his wedding a few moments of who knows how long before the old man’s death.  The cleric ridiculed the grandson for not knowing his prayers and for not paying enough homage at the temple.  The angel was there.  The old man had invited him to the wedding.  The angel fought back grins of pristine anger on his face that made the holy fat man quiver in his robe.  The angel roared and shrieked a perfect song that no one heard.  Only God, only the old man, only the angel.  Love was the only holy thing at that moment.  Not the temple.  Not the fat man.  Amen.  Then it was time.  Time to take the old man to the hill.

Men paid to move the body here and there bore the box in a big black car.  It crawled alongside the river farting exhaust in the faces of the family in their sunglasses and dust coated shoes.  The angel stepped into the path of the car.  The driver squinted his fat face into the windshield, and hit the brakes.  “O, chingado!  Haste un lado cabron!”  The angel smashed the front end of the car into the dry earth with his fist.

The angel reached into the car, his braided hair wrapping up the car like a giant squid cradling a submarine.  He tore the driver out of the car by his hair and tossed him into a pen of squealing pigs.  He opened the back of the car and pulled the box out with his right hand. The angel held the old man in the box over his head and scolded the crowd in sobs.  “Ustedes llevencelo!  Se lo llevan en el ombro al campo santo! Como-?!  Es de ustedes.  Es de ustedes!”  He set the box down on the cobblestones.  Six came to lift the old man onto their shoulders.  Twelve grips held on to the dead and carried their loved one to the hill.

Funerals are for the living.  The living family chose a mausoleum for the old man.  A square, stone pit with concrete shelves for the bodies.  The angel stood at the edge of the pit.  From inside his coat came two little girls.  Twin sisters.  Their hair floated and bounced like they were underwater.  They slipped out and climbed down a steel ladder to the concrete floor.  “Con cuidado” said the angel.  One child had eyes the color of marigolds.  The other had eyes the color of blood.  “Que es esto?” asked the marigold child.  “Es un poso pa’ los muertitos.” answered the blood child.  “Donde ponemos a Monchito?” asked the marigold.  “Yo voy a escojer!” said the blood.

The child pursed her lips and tapped her chin with her little finger, “Aqui!” she proclaimed to the space at the bottom left.  “Perfecto!  Le va encantar!  Un lado de su papito” shouted the marigold.  Across the way from the chosen space was a short wall of bricks where my great grandfather is buried.  “Mira” said the marigold child as she felt the cold, rough brick with the palm of her hand.  “Aqui esta.  Solito”, she said.  “Juntitos!  Van a estar juntitos para siempre.  Para siempre!” said the blood child.

The children crawled into the designated space for the newly dead.  They shouted to the angel above, “Encontramos algo, maestro!”  “Dejame ver.  Quiero ver!” he replied.  The girls walked out of the darkness carrying a small wooden box.  The box nearly crumbled in their little hands.  The lid of the tiny box was of a pink turned grey.  The lid was of fabric, like a quilt, adorned with bows.  “Que tiene adentro?” asked the little girls.  “La queremos abrir!” they shouted.  The angel shrieked “No!  Dejenla!  Regrensela a su lugar!  Horita!”  The children obeyed.

The mourners brought rope and began lowering the casket into the earth.  The children sat on a concrete slab and watched the grunting humans lower the old man from above, blocking out the sunlight.  The box was set on the floor.  The ropes were yanked up in dusty whips.  The little girls with no help from the mortals pushed the coffin into it’s space.  The little box was safely tucked at the head of the big box.  The angel said, “Que duerma con su angelita.”  The children asked the angel from below, “Ya le damos su regalito?  Ya?  Por favor!  Ya?”  The angel smiled.  “Si”, he replied.  “Primero le cantamos”, the children shouted happily.  They sang.

Estas son las mananitas que cantaba el rey David
En el dia de tu santo te las cantamos aci.
Despierta mi bien despierta mira que ya manecio
Ya los pajarillos cantan
La luna ya se metio.

Mourners above approached carrying dirty, red bricks.  “Ladrillos no.” said the angel.  “Lo tenemos que encellar!” they said.  “Ladrillos no.” he said.  The little girls gave each other a hug and began presenting their gifts for the old man.

From their tiny mouths the little girls spit up perfect little wet handfuls of gold nuggets, diamonds, rubies, emeralds, gems, amber, silver coins, and obsidian.  The offerings burst in light in their strong, little fists.  They went to work.  They arranged their sparkling gifts throughout the confines of the dark space.  They arranged light in little handfuls from their lips.  They sang and laughed as they decorated the coffin with rubies and emeralds.  They filled the darkness of the shelf with small bits of light.  The light from their gifts grew brighter and more beautiful as they worked.  Color and light swelled out of the pit and shined more powerful than the sun above.  Greens, reds, gold, and startling white shimmered and pulsed out of the pit.  A rain of color bubbled out and burst into the bitter heat above.  The angel watched the children happily from the edge of the pit.  His figure lost in the color swarm.  The clouds of color seemed to carry the girls voices out into the open air.  His body lost in sparkling mist.  His silhouette crowned and adorned by the children’s spectacle.  The family squinted into the brilliant color fog gushing out of the mausoleum nearly blinded.  The little girls worked in an underwater world of brilliance.  The two constructed a perfect wall to protect the two boxes, a beautiful little wall at the floor of the pit. They smoothed out the wall with their perfect little hands.  Together they set the final ruby.

A smooth buzz was heard from the sky.  A tiny wasp dove into the explosion of color.  The insect dove into the pit like it was called.  The blood child caught the bug by its wings with her fingers.  She raised the bug to her sight.  She crinkled her nose.  The bug kicked and flexed in her grasp.  She blinked twice and the wasp was slowly frozen into cold, stiff silver.  Its little body crackled still.  “El rosario por favor!” she called out.  The angel slowly pulled the rosary from his mouth, bead by bead, from his lips, his face to sky, his left palm up, tears streaming.  He dropped the rosary into the pond of lights.  The children pinned the crystal rosary in the center of the wall of jewels with the silver wasp.  They kissed the wall.  “Adios, Monchito!  Adios, Juanita!  Nos vemos en unos cuantos momentitos!” they said.  They sat on the floor of the mausoleum.  “Que bonita” they said.  They held hands and watched the wall shimmer and twinkle, shimmer and twinkle, like little galaxies.

Fin

Maybe Fotos

Una pareja de photos from tonight’s M.F.R. pa’ los Muertos open mic event:

Arturo reading

Host and star, playwright and poet, Arturo Aranda reads a phenomenal story about angels, graves, girls, and the death of his old man's old man.

dave reading

A masked Dave Auerbach reads Rumi - accompanied by off-image Randy on the electronic apparatus

Announcement from the one and only Arturo Aranda:

 

skull1

QUE ONDA?!?!     BUENAS!!!     SALUDOS!!!
PLEASE JOIN THE L.A. ECO VILLAGE COMUNIDAD
OCTOBER 30TH @ 8PM FOR:
M.F.R. PA’ LOS MUERTOS!!
(MAYBE FRIDAYS RESURECTION)
WITH YOUR HOST, DISCO ART!!
COME ONE, COME ALL AND CELEBRATE THE GLORIOUS LIVES OF THOSE THAT HAVE PASSED ON!!
THERE WILL BE AN OPEN MIC SO BRING SOMETHING TO SHARE!
BRING REFRESHMENTS!  BRING YOUR FRIENDS!  BRING THE KIDDIES!
BRING DA FUNK!!  JUST BRING IT!

 

skull1

LA ECO VILLAGE IS A WELCOMING COMMUNITY
SO NO NEED TO WORRY ABOUT THE FUZZ, THE CHEESE, OR THE MAN!!
WE WILL ALSO HAVE AN ALTAR TO PAY HOMAGE TO THE BEAUTIFUL SPIRITS.
FEEL FREE TO CONTRIBUTE.
L.A. ECO VILLAGE
117 BIMINI PL., 1ST & VERMONT
EAST ON 1ST, SOUTH OF 101 FWY
THIS IS A FREE EVENT SO COME AND REJOICE!!
SPREAD THE GOOD WORD, AMIGOS!
AMOR Y PAZ!  NOS VEMOS!

skull1

skull image – public domain – from wikimedia

Misty Night

mist-shrouded intersection

mist-shrouded intersection (click for larger image)

I was walking back to my place just now (nearly 1am) and struck by the beauty of the misty night. It has just cleared up after a wonderful day and a half of rain, the first rain of the season here. An excellent rain – enough for a good soaking of the garden, but not so heavy that I couldn’t bicycle where I needed to go. Though it has stopped raining, the air is still really full of moisture.

I took these shots on my cell phone… the collaged them together the way Federico does. They don’t quite do justice to the haunting diffuse grainy light.

Eco-Village is a co-convener of a community forum entitled The Roots of the California Budget Crisis. It takes place this Saturday October 17th, from 9:30am to 1pm at Camino Nuevo High School. Camino Nuevo is at 3500 West Temple Street – basically at the 5-points corner of Temple, Virgil, and Silver Lake.

The event is free and was put together under the leadership of SHEPMA (Silver Lake Echo Park Metro Alliance) which is the local chapter of SCOPE (Strategic Concepts in Organizing and Policy Education.) It’s part of a state-wide grassroots effort to pass an initiative that would undo the worst aspects of Prop 13, which has resulted in state budget cuts to education, transportation, health care and more.

Come to the free forum to learn more. Email or call to RSVP for lunch and/or childcare – to the contact listed on the flier below.

Come this Saturday! Click on image to download/print flier as pdf file.

Come this Saturday! Click on image to download/print flier as pdf file.

Don’t forget to rsvp!

Flyer for Oct 16-18 Bioneers Conference in Los Angeles www.labeaming.org

Flyer for Oct 16-18 Bioneers Conference in Los Angeles www.labeaming.org

October 16 – 18, 2009 at The Downtown Independent Theater (251 S. Main St., LA 90012)

BIONEERS: REVOLUTION FROM THE HEART OF NATURE
Go here for details:  http://labeaming.org/

OCTOBER 16, 17 and 18

Project Butterfly, Electric Lodge, Evolution Jewels and Downtown Independent bring you
the
1st Bioneers Conference Simulcast in LA!

Featuring:

LIVE SIMULCAST FROM THE BIONEERS CONFERENCE OF 15 PLENARY PRESENTATIONS:

HEADLINING THIS YEAR’S EVENT ARE NATIONALLY PROMINENT LUMINARIES, SOME OF WHOM INCLUDE:

Andrew Weil M.D.:
the nation’s foremost authority on holistic medicine, is author of numerous books including international bestsellers, Spontaneous Healing and Eight Weeks to Optimum Health.

Michael Pollan:
one of the most influential thinkers on food and agriculture, award-winning author of bestsellers including The Omnivore’s Dilemma: A Natural History of Four Meals, and most recently In Defense of Food: An Eater’s Manifesto.

Joanna Macy:
a celebrated Buddhist teacher, author, co-philosopher and activist in the peace, justice, and ecology movements.

Jerome Ringo:
president of the Apollo Alliance, and the first African-American to head a major conservation organization, the National Wildlife Federation, Ringo will stress the imperative of creating fair jobs that are healthy for people and the planet.

+ Many Others    L.A. Eco-Village is a co-sponsor of this event
Continue Reading »

Eco-Villager Melba Thorne at the Wilshire/Vermont Metro Red Line Station. All photos: Diane Meyer

Eco-Villager Melba Thorn at the Wilshire/Vermont Metro Red Line Station. All photos: Diane Meyer

Diane Meyer’s photography show Without a Car in the World: 100 Car-less Angelinos Tell Stories of Living in Los Angeles runs October 17th through December 11th. It’s at the 18th Street Art Center, which is located at 1639 18th Street, in Santa Monica. The opening reception is this Saturday October 17th from 7pm to 10pm.

Diane Meyer photographed 100 L.A. people none of whom own a car. These include various LAEV residents: Esfandiar, Lois, Melba, Ron, and me. Melba is featured prominently on the invitation above. There’s a longer write-up on the show at L.A. StreetsBlog here. Come down to the opening this Saturday night.

Lois Arkin in the LAEV bike room. The door to the right of her is the kitchen where the Bicycle Kitchen got its start.

Lois Arkin in the LAEV bike room. The door to the right of her is the kitchen where the Bicycle Kitchen got its start.

Ron Milam in the LAEV courtyard

Ron Milam in the LAEV courtyard

Esfandiar Abbasi in front of the LAEV chicken coop.

Esfandiar Abbasi in front of the LAEV chicken coop.

Hollywood Mantis


i was working on this roof near sunset and fairfax and this praying mantis was crawling by.  i like to see large green insects in unexpected places.

(My apologies to any L.A. Eco-Village blog readers that don’t yet find themselves way into bicycles. It’s definitely a huge part of our culture here at LAEV. This article is more about an eco-villager bicycling and engaging in bike activism in L.A., than it is about eco-village itself. More eco-village specific articles coming soon!)

City Steamroller Truck Making the New Bike Lanes Nice and Flat

City Steamroller Truck Making the New Bike Lanes Nice and Flat

I had the good fortune of being the first person to ride a new bike lane in my city yesterday. Here’s my overly-long drawn-out first person account, with plenty of blurry cell phone photos, and even talk of what I was reading and eating that day. You can get all the details after the jump. For short version go here.

Continue Reading »

After the theft, I got my #2 bike into good working order after a trip to Orange 20 bike shop. I had a good time riding it yesterday in both Long Beach and Pasadena… so I wanted to shift the focus here at the LAEV blog from bike loss/theft to something more bike-positive.

Former eco-village member Paul Bournhonesque, a good friend of mine whom I miss a log, shot these photos in Seoul, South Korea. They have public bike pumps attached to their bike parking stalls!

Public Bike Parking in Seoul, South Korea

Public Bike Parking in Seoul, South Korea

Note the Heavy Duty Public Bike Pump

Close-Up of the Heavy Duty Public Bike Pump

“The best education is always expensive”
- William Gerhardt (my grandfather)

I emerged late last night – actually early this morning – from an internet cafe on Wilshire Boulevard near Normandie Avenue to see this cut bicycle lock lying in the street:

The cable lock I had been using since 2004

The cable lock I had been using since 2004

I had hoped to see this:

My bike locked properly

My bike (locked properly, in early 2009)

There were some signs that I’d ignored. Earlier this year, Federico (here) and I (here) each blogged about an incident where three eco-villagers had emerged from a movie to find wheels stolen. That night, I felt pretty smug that I always carry around two locks, and that I hadn’t lost any wheels.

Earlier this month, Jimmy Lizama posted an email about a friend’s stolen bike on the eco-village listserve. Alex Thompson posted a couple of blog entries recently about thefts. I should have been on alert.

Yesterday, I took a nap. I had some articles to write for my turn as an actual modestly-paid guest blog writer at L.A. Streetsblog. There were some files that I wanted to use on a PC instead of the (generally wonderful, but now and then incompatible) open source computer where I’ve been working.

I biked out to the internet cafe at around 10:30pm… drank some caffeine and got in a groove writing and didn’t emerge until 3am. I walked home dejected and swearing… and I really don’t swear very often.

So… how did I contribute to this incident? Well… I confess that I locked my bike badly. I did use two locks… but I only locked one – the above cable lock – to the bike rack. The other – a small U-lock – I used to lock the back wheel to the frame. When I arrived, there was another bike locked to the city inverted-U-rack that was perpendicular to the rack, making it very slightly difficult to lock mine properly. My incorrect mental calculus was that I would be in there for an hour or two, and I was right near a subway portal at a pretty busy intersection with lots of pedestrians, so it was ok to just lock it the way I would at a parking meter or other pole. This sort of thing works in front of a restaurant during the day… but, as the results indicate, it’s a bad way to lock a decent bike in the middle of Los Angeles in the middle of the night.

I should have turned the other bike around, so it was parallel to the U-rack, so I would have clear room to secure my bike in two places. This would have taken me all of 20 seconds… but there were a few folks standing and walking around… and I stupidly didn’t want to touch someone else’s bike for the slight fear that they could see me moving it and get upset with me. The conspiracy theorist in me thinks that there’s a possibility that the other bike was placed there by thieves deliberately a bad T-angle so as to discourage others from parking correctly.

So… friends and fellow travelers… be on the lookout for my bike around town… it’s the blue one in the photo above – it looks more-or-less like that picture, though it has more stickers and new kinda-bulky black plastic mountain-biker pedals. It’s a big frame (I am 6′3″) light blue Trek, 24-speed, about 3 years old. Bontrager (sp?) black/gray puncture-resistant slick road tires. Lots of stickers – C.I.C.L.E., FoLAR and others. There’s a faded green paper flower and a large Chinese bell on the straight handlebars. There’s a basic black utilitarian rack on the back.

I hereby resolve to lock my bikes really really well in the future.

David Byrne's new book

David Byrne's new book

Eco-Villager “El Jimmy” Lizama will be appearing with David Byrne in a few weeks. The event is called Cities, Bicycles and the Future of Getting Around and is hosted by the L.A. Public Library’s ALOUD speakers series. It takes place on Friday October 2nd at 8pm at the Japan America Theater in Little Tokyo, Downtown L.A. Tickets are $25 and can be purchased on-line.

Jimmy Lizama is one of the folks who started the Bicycle Kitchen at an actual kitchen in Apartment #110 at Los Angeles Eco-Village. He’s a messenger, a wheel builder, an astonishingly good cook, and quite possibly the sexiest person who has ever lived at LAEV.

David Byrne is a musician bicyclist whom you’ve probably already heard of… right?  He has a new book out. Bicycle Diaries is all about his bicycling adventures in New York City and in various locations around the world.

Also on the panel is the city of L.A.’s bicycle coordinator Michelle Mowery. For more than a dozen years, Michelle has been in the trenches of the Los Angeles Department of Transportation’s bikeways division working to squeeze a few more feet of bikeways onto L.A.’s all too car-centric landscape.

Rounding out the panel is UCLA’s bicycling economics professor Don Shoup. Along with Bicycle Diaries, everyone should read Shoup’s book The High Cost of Free Parking! I can honestly say that Shoup’s writings have  changed my thinking about how we can re-shape cities to be more bike-friendly and more people-friendly and less resembling one huge barren ugly-assed parking lot.

Get your ticket now – before they sell out.

A view of the mostly-complete southern half of the intersection mural - photo by Yuki

A view of the mostly-complete southern half of the intersection mural - photo by Yuki

We enjoyed another great talk by Mark Lakeman of Portland’s City Repair last Friday night, and on Saturday we were inspired by their example to paint a new intersection repair mural.

 These photos are worth many thousands of words – thanks to Kathy Hill and Yuki Kidokoro for documenting the event!

We had a lot of help from the youth of the neighborhood - Jennifer (in red) did a lot of great work - Photo by Kathy

We had a lot of help from the youth of the neighborhood - Jennifer (in red) did a lot of great work - and that's me on the right - Photo by Kathy

 

Young eco-villager Jean Michel prepping the area before painting

Young eco-villager Jean Michel prepping the area before painting

Another hard-working neighborhood youth named Mohammed - photo by Kathy

Another very hard-working neighborhood youth named Mohammed, he has just finished outlining that triangle in purple - photo by Kathy

 

Adonia and a youth whose name I can't remember (sorry) putting down our new crosswalks - photo by Kathy

Adonia and Christopher putting down our new crosswalks - photo by Kathy

 There’s a lot to say about it… and a lot more folks that did a lot of work whose picture I didn’t get in to this quick blog entry.  I am still exhausted and have other work to catch up on… so this blog entry is all too brief, and hopefully others can help fill in more details in comments, etc.

The central wheel of the design is based on a bicycle wheel, extending its spokes into a circle design about 15 feet across - photo by Yuki

The central wheel of the design is based on a bicycle wheel, extending its spokes into a circle design about 15 feet across - photo by Yuki

Josie at work on the northern part of the mural which features a water swirl design that commemorates the historical waters of Arroyo de la Sacatela and the Bimini Slough

Josie at work on the northern part of the mural which features a water swirl design that commemorates the historical waters of Arroyo de la Sacatela and the Bimini Slough

Kwanwoo did a lot of excellent detail lettering in this, the northmost section, which featured a commemoration of the railroad tracks in our street which used to convey the H-line streetcars.

Kwanwoo did a lot of excellent detail lettering in this, the northmost section, which featured a commemoration of the railroad tracks in our street which conveyed the H-line streetcars.

LINKS and LINKS to more articles about the intersection repair:

More historic info on the Bimini Slough, Sacatela Creek, and our train tracks here.

Earlier Eco-Village blog articles in anticipation of this event here1, here2, and here3.

There’s excellent event coverage over at Homegrown Evolution. (Check out the comments there…  looks like the new crosswalks we painted look almost too official!)

Eco-Villager Adonia Lugo has more excellent coverage here,  including much better descriptions of the railway section where she and Bobby took the lead. She and contrasts how different parts of L.A. approach their common spaces. 

Here’s a link to Kathy’s photo gallery on Picassa and to Yuki’s photo album on Facebook. (I am  not 100% sure that these are completely available to the public… if they don’t work for you, email us and we’ll see what we can do.)

I covered it on my art blog, too.

At the end of the day we painted handprints and footprints of all the folks who worked on the mural. Here's Mark Lakeman getting his foot painted blue, so he can print it on our new crosswalk. Photo by Yuki

At the end of the day we painted handprints and footprints of all the folks who worked on the mural. Here's Mark Lakeman getting his foot painted blue, so he can print it on our new crosswalk. Photo by Yuki

Portland City Repair’s Mark Lakeman will return to Eco-Village in two weeks. He’ll be speaking Friday September 11th at 7:30, then Saturday September 12th from 10am to 6pm he’ll be leading an intersection repair project here. For more event details, see this earlier post.

Lakeman is an excellent speaker – whom I highly recommend. His presentation expanded the way I think about public space. It also changed  my ideas about how to get things done in making changes locally. For many years I have been involved in excellent urban environmental non-profits that spend a lot of time pressing the city/county/state/etc. to do things. City Repair’s approach teaches us that social capital and taking things into our own hands can be much more effective – especially at a neighborhood scale.

I thought I would promote Lakeman’s L.A. appearances by running a couple of videos about intersection repair as it’s done all over Portland Oregon. Both videos include Mark Lakeman.

First up is a 10-minute documentary from StreetFilms (a phenomenal resource – part of the StreetsBlog family.) “It’s a great community event. It’s great for families and kids and just for creating a sense of place”

 

And here’s an 8-minute film that the Portland City Repair folks did themselves. “Design the city for people and lots of other things that are wonderful and healthy will happen”

And if that’s not enough, here’s a half-hour interview with Mark Lakeman on Permaculture in Urban Spaces.

Jimmy, Josie, Lara, Doran, Melba, Angie (youth from Bresee) and I put our heads together and came up the rough scheme for the intersection repair mural that we’ll all be painting on Saturday September 12th. For more information about the event, as some photos of the previous intersection repair mural, see this earlier post.

Here’s the basic idea:

The Planned Mural Design

The Planned Mural Design

It will have a central circle based on a bicycle wheel. Wrapped around that will be a salamander/lizard. Where the crosswalks go, we’ll be doing lighter colors. In the crosswalk, participants will paint their footprints. Along the lizard, we’ll be writing welcome in multiple languages (likely at least Spanish, English, Korean, and Bangladeshi.) Extending from this will be stylized swirling pattern representing waters. Most of the details will be worked out in the street in chalk on September 12th.

This all grew out of an in inital salamander sketch of Jimmy’s, that has been brainstormed on top of here:

Initial Salamander Sketch

Initial Salamander Sketch

We wanted the creature to help delineate the crosswalks, so we ended up swirling her/him more like this:

Salamander Configuration

Salamander Configuration

These are blurry cell phone pictures… but perhaps they’re enough to communicate the basic ideas. The actual drawings are taped up in the lobby of 117 Bimini Place. If you have suggestions, ideas, etc., please let us know what you’d like to see.

Ron, my friend, neighbor, fellow bicyclist, bike advocate (and more) asked me to post this blog entry that he wrote:

Eco-Villager and Non-Profit Facilitator and Consultant Ron Milam

Eco-Villager and Non-Profit Facilitator and Consultant Ron Milam

I’m pleased to base my consulting business out of the Los Angeles Eco-Village.  Since I work primarily with urban sustainability oriented nonprofit organizations in Los Angeles, living and working at the Los Angeles Eco-Village definitely inspires me and has taught me a lot about sustainability. 
 
Living at the Los Angeles Eco-Village has played a key role in teaching me how to become a good facilitator.  I remember going to retreats that the Eco-Village had several years back led by experienced facilitators and taking detailed notes on how they helped guide us towards making important decisions.  I then had the opportunity to practice these skills facilitating one of our many weekly meetings where we make decisions by consensus. 
 
I now professionally facilitate for local nonprofit organizations, with the most recent retreat being for the Los Angeles Audubon Society (see my recent blog post on Facilitation and Flying for more details).  I’m pleased to offer an upcoming Introduction to Facilitation workshop at the Eco-Village on September 29th, from 6:30pm to 8:30pm and welcome you to attend. More information about this workshop can be found at laecovillage.org.  I also lead a wide variety of trainings to build the capacity of nonprofit organizations and welcome you to attend any of those as well – for information see the calendar page at my website.

Bananas blooming next door to the proposed garden

Bananas blooming next door to the proposed garden

About the parking lot / garden which was mentioned before, I am optomistic that LAUSD will adopt our version of the parking lot design.  Many of the potential hurdles have been cleared.  However, we still have not received an official confirmation.  When we do we intend to negotiate a Joint Use agreement between LAUSD and the Beverly-Vermont Community Land Trust (founded by ecovillagers).  Because the communication has been so positive about retaining the vacant lot for a horticultural project we are not alarmed by the preparations for converting the rest of the WHPPC site into a parking lot.  And we are glad to see LAUSD reusing as many of the current structures as possible.  Once the Joint Use Agreement is in place, we aspire to create something similar to the venice learning garden, which has operated for more than five years under such an agreement with LAUSD.

Eco-Village intersection repair painting from a few years ago - the street was later repaved

Eco-Village intersection repair painting from a few years ago - the street was later repaved

Portland City Repair’s Mark Lakeman is returning to Los Angeles in September. He’ll be speaking at eco-village on Friday September 11th then will lead an all-day intersection repair project on Saturday September 12th from 10am to dusk.

The first time I heard Lakeman speak it really changed my thinking about public space and ways that communities can work in a very guerilla do-it-yourself way to reclaim our space. I highly recommend that folks come hear his presentation. It’s Friday September 11th 2009 at 7:30pm at Los Angeles Eco-Village, 117 Bimini Place, L.A. 90004. There’s a suggested donation of $10, with noone turned away. Reservations are recommended, either call 213.738.1254 or email crsp [at] igc.org

Another shot of past eco-village intersection repair in process

Another shot of past eco-village intersection repair in process. The central design was based on a bicycle wheel.

On Saturday September 12th from 10am until dusk, we’ll be putting Friday night’s lessons into practice on the ground at the intersection of Bimini Place and White House Place. We’ll be painting a new intersection mural, and probably a few other projects. The Saturday event is free, all are welcome. Lots of hard-working volunteers needed. Wear clothes that you can get paint on, bring potluck food to share. We’re especially reaching out to families and kids in our neighborhood. There will be music, piñata, arts and crafts, face-painting, and much more!

Plan to participate on Saturday September 12th!

End of the day celebration of the completed mural!

The neighborhood celebrates the nearly-completed mural!

Check out the great photo of eco-village on L.A. Streetsblog this morning. Its a great image of eco-village  founder and leader Lois Arkin with the Los Angeles City Department of City Planning’s Emily Gabel Luddy. The article (actually mostly an audio piece) isn’t actually about eco-village, but about the excellent work being done by Gabel Luddy and her colleague through the planning department’s Urban Design Studio.

Tamika Thompson of Tavis Smiley's Young Voices

Tamika Thompson of Tavis Smiley's Young Voices

Check out this new short film about Los Angeles Eco-Village created by Tamika Thompson for PBS’s Tavis Smiley’s website!

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